Adriana Brito

Adriana Brito is a Visual Artist, Analyst and Advertising Planner.
Born in Argentina and naturalized Italian due to her family roots. 
She studied in the Design and Urban Planning University (FUBA)
where she developed herskills in graphic design and
learnt calligraphy tools which have accompanied
her way of painting until now.

At the age of nine, she began her training in music for six years.
She gained drawing andpainting techniques on a self-taught basis
and in studios; among them was the prestigious artist Andres Waissmann
from whom she learned the strength and demand of a good painting.

For the last ten years she has performed professionally as graphic designer,
scenographer and thematic, artistic and social event planner.
We can mention Maipo Theatre and the opening of a new space.
She likes programming, organizing and designing moments of meeting.

2026 Lega Navale, KR Italia. collective exhibition
2023 (October) personal exhibition, Rome
2023 collective art exhibition Vienna, Austria.
2023 collective exhibition art shop gallery. Prati, Rome

2016 to 2018 she has different event participations in Rome,
Berlin, and an individual exhibition at the prestigious
Centro Cultural Borges in Buenos Aires.

In October 2014 she was a member of the Adoption Network
in its visit to the Vatican, supporting the new Adoption Law
for Argentina joined to the book ¨Alumbrando en la oscuridad¨
recognized by the Buenos Aires Legislature at a social interest.


In 2013 to 2015 Sandra E. Gonzalez composed a piano piece based
on three Brito’s paintings which accompany the musician concerts ever since.
They have been exhibited in the Theatre of the Fable, Quilmes National University,
Concert of contemporary music chamber Law University of Buenos Aires;
Universiy of Chile and University of North Texas(Denton - USA),
at the Lyric Theater, performed by the great pianist Chryssie Nanou.


In her short career as a professional artist she has already participated
in some collective exhibitions and displays her artwork permanently
in several buildings in Puerto Madero.

Currently she is deepening her studies in Buenos Aires and the European continent.

2026 

For years, my research has been fueled by abstraction. Today, my painting feels the need to take root. 'Hábitat' is not a landscape, but a vegetal autobiography: it is the story of how form is born from emptiness and how, even in a postwar scenario, life insists on forging a loud, relentless path.